This Floating Excrement Was Way Too Symbolic! It's the TV Disappointments of the Year.

Looking back, we reflect on the television offerings of the recent year, a handful of series stand out not for their excellence, but for their notable failures. From cringe-inducing sequels to bafflingly bad docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Plagued with dreadful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. Briefly, as the third season began, it looked like it had at last hit its stride. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the final series. It concluded on a bum note; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Still, fans certainly found joy picking apart every single “wtf?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the least of this drama's issues. The recipient of a very rare zero star assessment, it was hard to know where to begin enumerating the flaws. The hilariously wooden writing? The tedious veneration of affluence and consumption? The almost deliberate parade of tropes? Performances so bad they felt borderline malicious? Let’s just say “each and every one” and forget about this series again. However, a second season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this series might induce should be reserved for the people who have had to suffer proximity with this charming but dismissive egotist.

The Iris Affair

Of course we knew it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Shady figures meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were plenty of other issues. Primarily that it was just really dull; a dispute over drug-selling territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional statements. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with delusions of grandeur; a procession of sleeping dogs, humming beehives, Hallmark sayings and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about regarding Victoria Beckham and her struggles with career, identity, self-acceptance. But for some reason, this three-part series opted not to explore them. Rather, the experience was akin to consuming a sales brochure. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you want? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How does one succeed a show that defined a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the smart recruitment of gifted younger comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Very much so.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for sexual exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was way more interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Kevin Howard
Kevin Howard

A seasoned property developer with over 15 years of experience in UK real estate, focusing on sustainable and high-yield investments.

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