In the hushed ambiance of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly straight-backed, his arms muscular beneath a simple tee. On stage, ballet dancers can seem like mighty deities, yet frequently offstage they are small. Not so Ball, whose tall stature is part of his popularity for heroic roles and pas de deux work. Possessing delicate features and piercing eyes, there's a touch of a brooding actor about him.
A Seamless Rise to the Pinnacle
Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced minimal ridicule for his childhood interest in ballet. Joining the Royal Ballet School at 11, he graduated directly into the troupe and was advanced each year, reaching the highest position of principal in 2018. He has loved taking on meaty characters, especially the emotional angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
Ball's upcoming starring role is in a talk, in an "Evening With" event aiming to offer behind-the-scenes insights into a dancer's art. He will guide the audience through a role, showing his cognitive process while execution. Yet in lighter works, the test is profound. "Don Quixote is one of the toughest technically," he states.
The Mental Game and After the Show Emotions
What about after a show, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to extract all the emotion out of it, and get immersed in the character, quite often I do feel embarrassed later. After an intense role I'm always like: God, what must people think?"
In person, Ball is reflective, polite, and prone to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Is there? "I'm quite active usually, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."
Formative Motivations and Artistic Influences
His determination stemmed from early setbacks. Not excelling in competitions at school made him "driven!" This became motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.
An upcoming challenge is creating his own choreography. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from literature, music, and painting.
Close-Up Dance and Private Partnership
He also is interested in staging dance in more intimate spaces. "It was just really exciting," he says of a past experience. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"
Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." The couple are not usually paired on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite cheerleader."
Regarding Instagram and Bodily Perception
On social media, fans can see videos from his dance films and photos that showcase a athletic form. Does he care that the response can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be interpreted on multiple levels.
Ball describes his early self as "desperate for success." Did it met his expectations? "I am conscious of how reality is a separate thing to the aspirations you made as a young person," he muses. He probably has about decade of performing left. "I suppose in the future, I want to be a bit more kind with myself."